Gregory Crewdson

Gregory Crewdson is an American photographer known for his contemporary style of photographic art, which is often referred to as narratives. Crewdson states ‘I think my pictures are really about a kind of tension between my need to make a perfect picture and the impossibility of doing so.’ (Susan Bright. ‘Art Photography Now’. Page 80-83.) The photographs are modern, futuristic and supernatural and Susan Bright describes his photos as having an ‘almost claustrophobic calmness’. (Susan Bright. ‘Art Photography Now’. Page 80-83.) I find Crewdson’s work contemporary, unique, and mystifying.

Untitled (Brief Encounter)
Image from Art Blart (http://artblart.com/tag/gregory-
crewdson-untitled-brief-encounter/)

An interview with Gregory Crewdson, posted on YouTube, showed the ‘making of’ one of his photographs called Untitled (Brief Encounter) and his thoughts on the image. Crewdson said that ‘the picture’s residing on this thing that almost doesn’t exist, like this moment in between moments.’ (http://www.youtube.com/watch?v=RywAfP4KFcY) He also said that ‘it’s finding meaning through light. I’m always interested in intentions. A primary one is that collision between the familiar and the strange. I think that exists in all of my pictures and an unexpected sense of mystery or strangeness or beauty.’ (http://www.youtube.com/watch?v=RywAfP4KFcY)

Untitled, Summer 2006
Image from Gagosian Gallery
(http://www.gagosian.com/artists/gregory-crewdson)

Untitled, Summer 2006 is another example of Crewdson’s work which portrays mystical and contemporary aspects. When viewing this photo, the eye is drawn to the boy standing in the misty light. The surrounding bush and dark tree trunks which naturally frame the photo, draw the viewer’s gaze upwards to the bridge and light source, which also appears to be the boy’s focus.

Crewdson goes to great lengths to design the perfect sets for his photos; he states that ‘my first impulse is to make the most beautiful picture I can.’ (Susan Bright. ‘Art Photography Now’. Page 80-83.) A design element used in Untitled (Brief Encounter) is lead in lines. An oblique line is located along the side of the street and the top of the building, which implies movement and direction. Another line in the foreground curves round a building and continues down the footpath, eventually merging with another line from the building’s roofline. The car’s tracks in the snow are curved lead in lines, which draws the viewer’s vision towards the receding car. All lead in lines appear to eventually join at a focal point below the movie theatre sign. The way I see this image, Crewdson’s intended point of focus is not actually the car but the wording written in the sign - Brief Encounter. Brief Encounters is actually the title of his movie that has been ‘filmed over a decade’. (http://www.gregorycrewdsonmovie.com/about/)

Untitled (Brief Encounter)
Image from Art Blart
(http://artblart.com/tag/gregory-crewdson-untitled-brief-encounter/)
Lines and words added by Chelsea

Interesting angles and lighting are two other design elements that are noticeable in this image. The angles are evident on the guttering, buildings and supporting arms of the traffic lights. Another point of interest to note, is that amongst the numerous straight lines there are two dominant curved lines – the car’s tracks in the snow. This helps to break the ‘strict’ straight lines and evokes a sense of quietness and direction. Crewdson also choreographs light and illuminates certain points of significance. There is noticeable light illuminating the tattoo shop, the walls of the distant building, traffic lights, street lights, car’s head lights and the two solitary figures. The positioning of light at the tattoo shop might indicate a brief encounter that marks one for life, and traffic lights, positioned on orange, might indicate how some people make cautious decisions in life. Highlighting the two figures could suggest a brief encounter at the restaurant which resulted in their parting.

Untitled (Brief Encounter) also incorporates the use of texture. Crewdson worked in cooperation with the town which resulted in the main street being closed to allow snow to accumulate. This has created a natural texture of fallen snow, and allowing the car tracks to remain, creating a brief encounter.

The ‘cool’ colours in the photo consist of mainly blues, greens and greys. These colours are receding and create a dull and eerie mood. Even though these cool colours are somewhat gloomy, they work well together as they are harmonious colours. It is also interesting to note the chosen colour of clothing for the lady seated in the restaurant. Her red shirt works well as it complements the blue-green surroundings and provides contrast within the image.

Untitled (Brief Encounter) is a unique image when compared to more typical photographs. This image still, however, uses different elements of design to portray the tranquillity, yet eeriness of the image. As Crewdson states: ‘the picture’s residing on this thing that almost doesn’t exist, like this moment in between moments.’ (http://www.youtube.com/watch?v=RywAfP4KFcY) These combined elements create unity and balance within the photographed image.

These are a few more photographs by Gregory Crewdson:

Untitled, Winter 2006
Image from Gagosian Gallery
(http://www.gagosian.com/artists/gregory-crewdson)

Untitled, Summer 2006
Image from Gagosian Gallery
(http://www.gagosian.com/artists/gregory-crewdson)

Production Still Untitled (Trailer Park #5)
Image from Gagosian Gallery
(http://www.gagosian.com/artists/gregory-crewdson)

Posted by Chelsea

Alastair Magnaldo

Lumieres Eternelles

Alastair Magnaldo is a Contemporary photographer based in France. Magnaldo encountered photography at the age of ten when he was captivated by light-influenced black and white prints. Armed with a Voigtländer and a handheld light-meter, Magnaldo made his first steps on the long and winding road of Black and White photography. Since then, Magnaldo has kept a vision of photography filled with light and has been trying to express it in most of his compositions. Magnaldo has a luminous vision of photography remained in him that he tries to reproduce in most of his compositions. Colour only being used to reinforce an atmosphere.


Magnaldo collection is based around the theme of Dream and Creation. It takes Magnaldo 7 hours to produce one of his compositions. However, some pictures he creates can span over two years, waiting for the ideal scenery. An example of one of Magnaldo's pictures that took 2 years to create was Moonset.

Moonset

However, the seven hours of computer work is used for half an hour of scanning, six hours for all the computer work and half an hour to print. In an interview, Magnaldo was asked if he works exclusively for the print. His response was "Yes. It's harder, every detail shows on a 40 x 40 print, but it's more rewarding." When creating the pictures, they are all thought out before the computer assembling starts. Magnaldo always writes down the ideas, sketch the scenes, and makes lists of elements he needs. If it's related to the scenery, it often means waiting for the ideal situation.

The transparency in Magnaldo's photographs is what marks him as the author. When someone looks at them, they feel lightness, magic, mystic, dream. An unbelievably parallel world. Where there is sorcery, realisation of the wishes but there is also melancholy, loneliness and nostalgia for someone or something. On them, there are always open doors towards some other world, ropes that pull back the clouds or whose end goes to the infinity, towards something unknown. All of Magnaldo's photographs tell a story.

Le reparateur

A l`origine

"Photography chose me, not the other way round. I didn't really have any other choice!" - Alastair Magnaldo.

To see more of Alastair Magnaldo work, go to this website. http://www.almagnus.com/

Posted By Jess.